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(English) Tang Contemporary Art is proud to unveil its new Bangkok gallery. The inaugural exhibition, “Northern Land, Southern Seas,” will bring together the work of more than a dozen contemporary art heavyweights from China and Southeast Asia. >> 更多

为了探访了解过去十年内在中国修建的约5000个新博物馆，我决定完成一个旋风博物馆之行。然而，围绕这一现象的可靠信息非常稀缺。
 
 
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展览继纽约上东区的首展之后巡回来到香港，并对参展作品有所延展。但即便如此，展览标题本身仍招至诟病。如今，中型机构还是更偏好类似于“中华五千年”及按照国家划分的研究型展览；然而，从文化分析的角度看来，取“越域”这样的标题仍嫌宽泛...... >> 更多

在过去的二十年，苏富比和佳士得控制着中国拍卖市场，但是随着2008年艺术市场的逐渐低迷，这种由苏富比和佳士得统治的拍卖之风也开始有所转变了。 >> 更多

在过去的二十年，苏富比和佳士得控制着中国拍卖市场，但是随着2008年艺术市场的逐渐低迷，这种由苏富比和佳士得统治的拍卖之风也开始有所转变了。 >> 更多

漂亮的空间和国际画廊精心策划的宽敞展位，再加上高质量的作品，共同构成了一个成功的范式。我们期待下一届的西岸博览会！ >> 更多

艺术+上海画廊很荣幸邀请到艺术家叶红杏举行个展“天堂之城”，本次展览将集中展示她在拼贴艺术方面的创作。 >> 更多

In its seventh manifestation since its inception in 1998, the “Shenzhen International Contemporary Sculpture Exhibition” was this year renamed the “Shenzhen Sculpture Biennale.” This can be seen as an instrumental turning point in the exhibition’s development as, for the first time, it took on one strategy of International Biennale exhibition models — the appointment of a curatorial team to oversee its conceptual and academic organisation. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多